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Once they learn that Chizuko has taken Mieko to a midwife to get an abortion, Tetsuya and Tomoe rush there and arrive just in time to rescue Mieko, who resolves to develop into a better person. Tetsuya lives at his former teacher's house. Craig himself was reminded of the explanation he by no means leaves his house. Convinced that the lack of proper intercourse education was the explanation for Mieko's blunder, Tetsuya and Tomoe visit Prof. Fukumoto of the Association for Sex Education to ask for his advice. The more Tetsuya tries to get away from Chizuko, the extra she clings to him. He had been in love along with his teacher's daughter Chizuko, however after the warfare and his repatriation Tetsuya finds Chizuko fully modified. Chizuko takes in Mieko, hanime su who had run away from home, and so as to annoy Tetsuya she declares that she will take care of the girl. Chizuko lastly offers up on Tetsuya, and Tomoe and Tetsuya get together.

At the college Tomoe meets Tachibana Tetsuya, a young trainer whom she had met before at a radio dialogue during which he had been taunted by other participants after deploring the decline of sexual morals. Mieko helps Tetsuya, Tomoe and Prof. Fukumoto arrange a lecture on sex education at the women' school, however the lecture is disrupted by the nice-for-nothing Kawai who had seduced Mieko and received her pregnant. The second list accommodates examples of yuri works as a secondary or peripheral storyline, reminiscent of a romantic subplot, the presence of an necessary female character who is by the way both lesbian, bisexual or other sapphic sexuality, in addition to a noticeable quantity of homoerotic-related implicit subtext or informal LGBT female illustration. Producer of all three films as well as of the follow-up Niizuma no seiten (Sex encyclopedia of a newly-wed girl, 1950) was Ishida Seikichi.

In reality, the novel was written on request of producer Ishida Seikichi, who wanted to make a movie coping with the difficulty of sex schooling. Oba was a dependable, but to this point not particularly distinguished director who had made his debut in 1939 and hanime su had made more than two dozens films for Shochiku. Note: The views expressed within this assessment don't essentially replicate those of us who have not seen the sequence (i.e.- Craig and myself). Shochiku should have sensed the commercial potential of this movie and moderately aggressively advertised it with slogans reminiscent of "the most problematic characteristic movie of this spring season!", "pregnant school lady in uniform!", "tragedy of a maiden figuring out nothing about intercourse", "the dangers of intercourse play (momoiro yugi)" and "the marvellous film to the intercourse novel".