After they learn that Chizuko has taken Mieko to a midwife to get an abortion, Tetsuya and Tomoe rush there and arrive simply in time to rescue Mieko, who resolves to turn into a better individual. Tetsuya lives at his former trainer's home. Craig himself was reminded of the reason he by no means leaves his home. Convinced that the lack of correct intercourse education was the reason for Mieko's blunder, Tetsuya and Tomoe go to Prof. Fukumoto of the Association for Sex Education to ask for hanime su his recommendation. The more Tetsuya tries to get away from Chizuko, the more she clings to him. He had been in love along with his trainer's daughter Chizuko, however after the conflict and his repatriation Tetsuya finds Chizuko completely modified. Chizuko takes in Mieko, who had run away from residence, and with a purpose to annoy Tetsuya she declares that she's going to take care of the lady. Chizuko finally provides up on Tetsuya, and Tomoe and Tetsuya get together.
At the school Tomoe meets Tachibana Tetsuya, a younger teacher whom she had met earlier than at a radio discussion in which he had been taunted by different members after deploring the decline of sexual morals. Mieko helps Tetsuya, Tomoe and Prof. Fukumoto set up a lecture on intercourse training at the ladies' college, however the lecture is disrupted by the great-for-nothing Kawai who had seduced Mieko and obtained her pregnant. The second list incorporates examples of yuri works as a secondary or peripheral storyline, similar to a romantic subplot, the presence of an necessary feminine character who is by the way either lesbian, bisexual or hanime su other sapphic sexuality, in addition to a noticeable quantity of homoerotic-associated implicit subtext or informal LGBT feminine representation. Producer of all three movies in addition to of the observe-up Niizuma no seiten (Sex encyclopedia of a newly-wed lady, 1950) was Ishida Seikichi.
Actually, the novel was written on request of producer Ishida Seikichi, who needed to make a movie coping with the issue of sex schooling. Oba was a dependable, but so far not notably distinguished director who had made his debut in 1939 and had made more than two dozens films for Shochiku. Note: The views expressed within this assessment do not essentially mirror those of us who have not seen the sequence (i.e.- Craig and myself). Shochiku should have sensed the commercial potential of this movie and rather aggressively advertised it with slogans equivalent to "probably the most problematic function movie of this spring season!", "pregnant school woman in uniform!", "tragedy of a maiden realizing nothing about intercourse", "the dangers of intercourse play (momoiro yugi)" and "the marvellous movie to the intercourse novel".