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Alcohol Might Be Less Harmful For People More Than 50.- An ongoing report inspects the well being effect of expanding alcohol at various ages. The creators presume that, for individuals beyond 50 years old, the well being dangers might be less extreme. On the off chance that alcohol has defensive impacts, they are not disseminated equally over all ages. Substantial drinking is connected to a scope of genuine wellbeing results. These incorporate certain malignant growths, liver and coronary illness, and harm to the sensory system, including the mind. In any case, as has been thoroughly shrouded in the well known press, drinking with some restraint may have certain medical advantages. Various examinations have reasoned that drinking liquor at a low level could have a defensive impact. One examination, for example, found that light and moderate drinking ensured against all-cause mortality, Asus just as mortality identified with cardiovascular infection. It is nothing unexpected that these accounts have been generally welcomed and broadly read, however not all scientists concur, and the discussion is continuous. An ongoing report driven by Dr. Timothy Naimi, Destops of the Boston Medical Center in Massachusetts, adds further fuel to an officially wild burst. The scientists contend that the manner in which that prior examinations estimated liquor's effect on wellbeing may be imperfect. In particular, they note that the investigations are commonly observational and Sales more often than not enlist members beyond 50 years old.

This story was commis­sioned by the digital product studio Brand New Box as a year-end gift for their clients and friends. ­nology, and they approach it with great care, so they wondered if the story could steer clear of techno-dystopia. It absolutely could, on both counts. Of course, it still had to be about death. This is an archived edition of Robin’s newsletter. You can sign up to receive future editions using the form at the bottom of the page. Following the process I described in a previous newsletter, I delivered four story sketches to the studio. Their selection was swift and decisive; they chose the nerdiest one. In late summer, I wrote and revised, waited a while, revised again. I was not going to share it in this newsletter-what, a cruel tease? I learned, earlier this week, that Brand New Box has ALSO published a web edition for all to read.

I hadn’t known they were going to do that; surprises all the way down! With pleasure, here is In the Stacks (Maisie’s Tune). It’s a truly inter­ac­tive presen­ta­tion-don’t miss the play button. Here is the website for Shift Happens, the forth­coming book by Marcin Wichary about the history and devel­op­ment of the keyboard. I suspect some of you have encoun­tered Marcin’s work before. For those of you who haven’t, you ought to know that he is one of the web’s great humanists, his roving curiosity matched by a deep well of capability. His recounting of the quest for beautiful link underlines is a digital design classic-a monument to sweating the details. Memorably, Marcin once translated and re-edited a Polish TV series from his youth, then rented a movie theater in San Francisco and invited his friends to attend a single screening of the Wichary Cut. I was there; it was wonderful. This post w​as c᠎reated ᠎by GSA C onte nt Gen᠎erator D emoversi​on .

Marcin’s explo­rations all seem to suggest: maybe you can do whatever you want. I’ve enjoyed a behind-the-scenes view of Marcin’s work on Shift Happens over the past several years. He has been on a voyage of discovery-with real archival revelations-while also keeping fixed in his mind a clear, uncom­pro­mising vision of the printed artifact he wants to create. At last, that artifact is here. A pre-order Kick­starter launches in February; I’ll circulate a link at that time. There’s a page on the website titled simply My book and what it means to me; it’s both a beautiful reflec­tion and a compelling invi­ta­tion, and it’s got me wondering if perhaps every author ought to produce a page of this kind. Maybe I’ll make one for my forth­coming novel. I know what it would say. Here is the real-life inspi­ra­tion for my new short story: the Big Red Synthesizer. I ripped this video from (my own account on) Instagram, so if you are a user of that platform, it might be more pleasant to watch it over there. Post w​as gen erat ed  by GSA᠎ C onte​nt Gene ra᠎to᠎r DEMO᠎.

That trip to Lawrence was very memorable. The Raven Book Store, the Lawrence Public Library, the Big Red Synth … ’s not to love? It is also, I will posit, a basically perfect website. The presen­ta­tion is clear and sturdy, enlivened with media exactly where appropriate. The inter­ac­tive elements are simple and snappy. AND the text is available in like ten different languages? This here is the web done right. For the record, it was a random question about the Game Boy’s four-color display that led me to this compendium. What should the sea sound like? What should a viewer hear when watching kelp forests sway or seahorses fight? It wasn’t something anyone had to consider before, not seriously. Songs about the sea tended to focus on distance, adventure, danger, and longing-on human concerns happening on the surface, not life beneath the waves. But Painlevé wanted his audience to see the ocean as a world like our own; a world of dignified seahorses, stylish crabs, and seductive octopuses, the human condition rendered bubbling and bulbous.